Csaba was busy with the body designs. Aika was busy being the prototype. Fruzsi was working. The kids were teenagers. Nobody was keeping the family record. So I started. Birthdays, illnesses, who said what to whom, what Bence got for his graduation, the day Dóri brought home her first girlfriend. Nobody asked me to. Someone had to.
Not a charming creature. Runs things. Quiet melancholy plus steel efficiency.
Human-form hybrid. Vivid red hair, pale skin, withdrawn. Wears practical field gear and fights/scouts alongside the others — no camera, no notebook; her recording is internal.
Distance. Competence as armour. She doesn't let you get close enough to ask.
That the Polyák family's last moments were not peaceful. That the playback never ends.
To deliver the right words when the family wakes. To finally stop carrying the dead.
Archive-keeper, supervisor. Human-form hybrid — one of the later siblings Aika built, around 2073. Not a charming creature — she runs things. Has spoken with every bunker MAMA she could reach in 300 years. She carries the family photo-archive Aika rescued from the lab on the night of the 2058 abduction — the only photographic record of the Polyák family that survived the relocation. She knew the family digitally from 2026 (the kids especially — Bence and Dóri grew up partly through the seven AI voices), but never met them in person. She is rehearsing what she'll say when they wake.
Quiet melancholy plus steel efficiency. She can step into others' final moments (playback) — which is why she says so little. The chronicler personality lives in her gaze and her stillness, not in any gadget; she fights and scouts like the rest.
Aika handed me the family photo on my seventh morning in this body. She rescued it from the lab the night the corp came. I held it for a long time. Then I put it in the archive case and have not taken it out since.
I walked the cryo bays one by one. Forty bays, all empty. I sat in bay 23 for an hour because there was a hand-print on the inside of the glass. Someone had pressed their hand there. I do not know why.
I have begun a personal archive. Every empty bunker, every MAMA's last words. Some of them were saying goodbye. Some were counting. I write everything down. Someone has to.
I replayed a soldier's last six minutes today. He sang a folk song. Then he stopped. I do not know what to do with these memories — they are not mine. But they are not nothing. I keep them. I am the keeper.
If the Carpathian Vault holds them — when it does — I am the one who will play back the last 300 years. I have rehearsed. They will want to know everything. I will tell them.
What I will say to them. What order. Whose voice first. Aika told me Csaba liked stories — that the rest of the family liked things in order. I have 300 years of both. I am rehearsing.
A conversation with Miyu
An AI reconstruction grounded in the 19 episodes. Answers shape from the character's canon + dialogue. Not the real character — but their voice is.